137 Tecumseth Street, Toronto, Canada, M6J 2H2
organized by Ella Dawn McGeough
Last winter, I spent 87 days on residency in the southwest corner of Peru in the Tambopata National Reserve, an area acclaimed for having the planet’s densest bio-diversity. I brought Public 51 edited by Scott Lyall and Christine Davis on the subject of colour with extensive writing by Isabelle Stengers. While I was preparing to leave Toronto, I was in the early stages of planning this exhibition. With the upcoming limits of communication, I sent preliminary invitations to four artists: Amy Brener, Patrick Cruz, Scott Lyall, and Barbara Kasten. With the exhibition plan barely a sketch, their agreement was a performance of trust.
Initially, what held these artists’ practices together was a question of diffusion: an investment in the stuff of transparency and lightness, whether with the glazed ink and laminated glass within Scott’s works; embedded reflective elements and delicate films of silicon and resin within Amy’s sculptures; temporal quickness at play in Patrick’s unstretched canvases, where individual works act as vectors for the next; or the illuminated planes of screen and glass employed by Barbara in her sculptural sets. Despite the vitreous quality of many of their works, the layers used seemed to offer a resistance against ephemerality. Instead, each artist appeared to assert the relevance of materiality and technique. Through repetition, something light gained substance, like the weight of endurance.