Architectural Site 3, Equitable Building New York, 1986, Cibachrome, 30x40 in
Architectural Site 5, EF Hutton, 1986, Cibachrome, 30x40 in
Architectural Site 6, World Financial Center, 1986, Cibachrome, 30x40 in
Architectural Site 7, World Financial Center, 1986, Cibachrome, 30x40 in
Architectural Site 8, Loyola Law, 1986, Cibachrome, 30x40 in
Architectural Site 10, Museum of Contemporary Art Los Angeles, 1986, Cibachrome, 30x40 in
Architectural Site 11, Museum of Contemporary Art Los Angeles, 1986, Cibachrome, 40x30 in
Architectural Site 15, Whitney Museum of American Art, 1987, Cibachrome, 30x40 in
Architectural Site 16, Whitney Museum of American Art, 1987, Cibachrome, 30x40 in
Architectural Site 17, High Museum of Art, 1988, Cibachrome, 40x30 in
Architectural Site 19, Pavillion for Japanese Art LACMA, 1989, Cibachrome, 30x40 in
In 1986, I increased the size of my studio mirrors, fabrications and scale of my production process. The Architectural Site series were made on location with a single exposure and no digital intervention. One of the first photographers to utilize a professional cinematic lighting crew in a monumental production, I deconstructed the postmodern architecture of the 80′s with gels and on-site mirror constructions in overnight photo shoots. The photographs were made with a 4×5 view camera and printed in editions of 30×40 or 50×60 cibachrome prints.